Saying goodbye to a classic
I’ve been researching mono for months. Not mono the disease but mono as in hi-fi. One speaker – reproducing music. Before there was stereo, or surround sound there was mono.
Over the years, I had noticed that many serious audiophiles with expensive and elaborate music systems also had a monophonic system tucked away in a corner.
I wanted to hear a mono system in my home too. I gathered a classic Fisher mono receiver (amplifier and tuner in one box), a Denon 102 monophonic phono cartridge and a brand new, 2009 vintage Klipschorn.
Actually, I asked Klipsch for one of their smaller “Heritage” speakers. But they said that I should hear what a classic K-horn could do. I figured that if they want to make me one of their 175-pound, $4,000, floorstanding flagship speakers to test I wasn’t going to turn them down. I’m glad I accepted their offer.
In the late 1940’s, engineer Paul Klipsch created a speaker that could create the full range of sounds , and volumes, coming from a symphony orchestra. His loudspeaker had a horn tweeter (efficiently handling the treble) and a big woofer for bass. The large enclosure was designed to fit into the corner of a room to enhance the deep bass.
The rest is history. The speaker was so popular that it’s still in production more than 60 years later.
Back then, people happily used one speaker to reproduce music. By the late 1950’s mono was pushed out of the way for a newer “special effects” technology – stereophonic sound. Audio component manufacturers loved stereo because they got to sell two of everything.
But, mono never really died (think clock radios, small iPod docks, TVs, etc.) And, I’ve found that a mono hi-fi is a lot of fun to listen to. I do most of my listening when I’m working from home. I’m on one end of the room and the music comes from the other. At most times the stereo effect is lost on me. I just listen to enjoy the music.
And boy does the Klipschorn make music. With a minimum of amplifier wattage a Klipschorn can provide enough sound to fill any room in your house. Or your neighbor’s house. You get the idea.
The best thing about K-horns is that they not only go loud but they make music along with deep, deep bass and smooth highs. This big box sounded amazingly good powered by everything from the classic Fisher tube receiver to a Dynaco ST-35 (also tubes), a Bedini 25/25 – a NuForce Icon and a wonderful Altmann BYOB. It doesn’t sound “dated” or old-fashioned. Just musical.
But, it’s now time to say goodbye to the Klipschorn. We’re firming-up plans for its repacking and shipping back to the factory. I’ll miss it a lot (my neighbors probably won’t).
But what the experience proved to me was you don’t need a gazillion dollars of modern equipment or place a multitudes speakers around your room to recreate the sound – and especially the dynamics – of an orchestra in your home. One of everything is extremely satisfying. If you do your research mono could turn out to be cheaper too.
I guess they really knew what they were doing back then.
Yes!… great article on mono listening (and vintage designed gear). In addition, there are lots of great recordings, especially Jazz, that was recorded in mono to begin with. Furthermore, I live in an area where I listen to some of the hard to get FM public radio stations… best received and listened to in mono.
I wouldn’t give it back, they’d have to break down the door and I wouldn’t let it go without a fight.
However, I probably would order a second to keep it company and just think of it as a 50% discount.
Given my choice though, I’d go vintage, onstead of Herritage, not because they sound better (or worse), but I continue to try and deny the existence of MDF as well as it would be cheaper.
Congratulations for the article! I really consider myself as newbie about audio stuff, but your article is excellent and really clear.
I’m 30 years old, but I always has think in stereo; now that I know about Klipschorn, i believe that I would like test it.
But, I have a doubt. Klipsh only sell it in US, right?
I write from Mexico City.
Loved the article, I’m very interested in the history of the Klipshorn and Klipschorn tweeters as used in the original garage and house music clubs in New York in the 1970’s.
Does anyone know what it would sound like if you hooked up 2 Klipshorns to each channel of a stereo amp ? Certainly be interesting
I am a big Mono fan and really appreciate this article. Currently I have a mono system. Below is the setup:
1. Legacy Silver Screen Center Speaker as main speaker.
2. Theta David Transport feeding a Theta Gen V DA
3. Vincent Audio SA-31 Tube preamp
4. Aragon Palladium Class A mono power amp
5. All silver interconnects and speaker wire
Soon I will be upgrading the main speaker to the huge Legacy Marquis Center Speaker, dual 12″ woofers, 7″ silver kevlar midrange and folded ribbon tweeter. It has true 20-20k response.
I will also be using a Legacy outboard DSP processor that will allow this single speaker to reproduce not just the L+R channel (mono) but also the L-R channel (Stereo) so there is no sacrifice anymore with mono. Hall space will not be lost!